Toy Story 3 (2010)

Tags

Action, Animated, Comedy, Don Rickles, Drama, Estelle Harris, Joan Cusack, John Morris, John Ratzenberger, Michael Keaton, Movie, Ned Beatty, Tim Allen, Tom Hanks, Toy Story 3, Wallace Shawn

Hey, go kill that guy for me, k?

G

Tom Hanks, Tim Allen, Joan Cusack, Ned Beatty, Don Rickles, Michael Keaton, Wallace Shawn, John Ratzenberger, Estelle Harris, John Morris

Hamm: C’mon, let’s see how much we’re going for on Ebay.

A bunch of toys mistakenly think that their owner has outgrown them and might be planning to throw them away.  They escape to a day care center where things are not as wonderful as they first seem.

When I started watching this movie, I realized something:  I have never really watched the first two Toy Story movies all the way through.  For some reason, the storyline has never really appealed to me.  And this is coming from somebody who generally likes Pixar movies.

It took a few minutes to take in all the characters and figure out what their relationships were, but once I got all that straight, I was able to sit back and enjoy the movie.  Maybe not quite as much as others have enjoyed it though.

I did like it.  In fact, it’s quite good, but still not up there with my Pixar favorites.

The thing is, I feel like if I had seen the first two movies a few times, this movie would seem a bit recycled.  Even with my limited experience with the first two, it all felt very familiar.  Same sort of jokes from the same characters, similar action scenes, etc.  It’s all well done, it’s just…tired.  In fact, the action/adventure stuff was the least interesting for me.  The comedic moments were much better.

The introduction of the day care was a good idea.  That opened the door for a lot more toys and crazy kids.

Still…it just never took me to the same kind of magical place/state-of-mind that something like Wall-E or Finding Nemo did.

Does that mean I’ve outgrown playing with toys?

P.S.  I was going to make a joke about the fact that Ned Beatty should have voiced the pig, but I’m sure I wouldn’t be the first to do that.

Also, “Big Baby” is creepy.

Don’t throw your toys away kids.  If you do, they will suffer a horrible, painful death.

10 – 1.3 for seeming sort of tired/familiar – 1 because I didn’t really care for the adventure/action scenes so much = 7.7

How to Train Your Dragon (2010)

Tags

Action, America Ferrera, Animated, Christopher Mintz-Plasse, Comedy, Craig Ferguson, Drama, Gerard Butler, How to Train Your Dragon, Jay Baruchel, Jonah Hill, Kristen Wiig, Movie, T.J. Miller

could you eat this instead of me, please? thanks.

PG

Jay Baruchel, Gerard Butler, Craig Ferguson, America Ferrera, Jonah Hill, T.J. Miller, Kristen Wiig, Christopher Mintz-Plasse

Gobber: And with one twist, he took my hand and swallowed it whole.  And I saw the look in his face – I was delicious!  He must have passed the word because it wasn’t a month before another one of them took my leg!

After a young Viking, Hiccup (Baruchel), wounds a dragon in battle, he befriends it and begins to learn that the dragons his people have been fighting for years might not be exactly what they seem to be.

There’s a lot to like about this one, but a few things that hold it back from being one of my animated favorites.

First, the good.  The visuals are pretty amazing, and I’m sure would’ve been even more stunning in 3-D on the big screen.  Still, they’re impressive enough at home in HD.  Also great was the story of Hiccup befriending the dragon – which he named Toothless – and his realizations about all of the dragons’ true natures.  Obviously there are lessons here about getting to know your perceived enemy and understanding exactly why you’re fighting each other in the first place.

All that stuff was handled quite well, but what I wasn’t a huge fan of was the tired storyline of a single father with a son who is not living up to his expectations.  There’s nothing inherently wrong with that storyline, but it seems to be a fallback for animated films these days.  Off the top of my head, it’s used to some extent in Kung Fu Panda, Finding Nemo, and most obviously in Cloudy With a Chance of Meatballs.  It’s just such an obvious and predictable road to go down.

Also…Jay Baruchel’s voice bugs me.  I know that seems like a minor complaint, but in an animated movie where he’s the star, that can severely hamper a person’s ability to enjoy it at times.  The other voices are all fine.  His just got on my nerves for some reason.

Regardless, it’s a movie worth watching.  The dragons storyline is good, and the visuals are captivating.  Though, I’m still wondering why none of the kids had the same accent that all the adults had…

Always carry around a smoked eel if you think there’s a chance that you’ll encounter a dragon.

10 – 1 for the overused father/son storyline – .7 because Baruchel’s voice annoyed me – .5 because I think the script could have been a little wittier = 7.8

Let’s Do Magic: Episode 4

Tags

Animated, Let's Do Magic, Stop Motion

Telling the truth…

(If you haven’t seen parts 1-3, they’re in previous entries in the blog…or you can just go here)

Homemade

Tags

Animated, Magic, Rhinoceros

Well, it’s been a while since I’ve watched and reviewed a movie, so I figured I needed to post SOMETHING.

So, here’s a little something different…two movies that I made myself a while back.  They’re very short, but are just loaded with all kinds of incredible meaning and emotion.

These are both written, directed, animated, photographed, and scored by yours truly.  Once Pixar, or some other animation studio gets wind of these, I’m guessing they’ll be willing to pay me ridiculous amounts of money to come work for them…it’s only a matter of time…

…any second now…

Note:  yes, those are Indiana Jones Lego people

Rhino-motion:

Let’s Do Magic!

Avatar (2009)

Tags

Action, Animated, Avatar, Drama, Giovanni Ribisi, Joel Moore, Michell Rodriguez, Movie, Sam Worthington, Science Fiction, Sigourney Weaver, Stephen Lang, Zoe Saldana

and could you not call me Smurfette anymore? thanks...

PG-13

Sam Worthington, Zoe Saldana, Sigourney Weaver, Stephen Lang, Joel Moore, Giovanni Ribisi, Michell Rodriguez

Colonel Quaritch: Shut your pie hole!

Humans have discovered a planet called Pandora, rich with life and resources that they want to use.  Unfortunately for them, the indigenous, humanoid life (aka the Na’vi) on Pandora lives right on top of the biggest deposit of the mineral the humans are looking to mine.  Paraplegic marine, Jake Sully (Worthington), takes his dead twin brother’s place as an avatar that looks just like one of the Na’vi.  He plans to help the military by gathering as much information about the Na’vi from the inside, but soon learns that they might be a people worth saving.

Ah, original thought…as elusive as Robert Denby and as scarce in Hollywood as the Unobtainium (which should have just been called Oilium) that the humans were searching for so desperately in Avatar.  It also seems to be a feared concept, this “originality”.  It’s scary for studios to try something new when they know that the tried and true plot lines will rake in millions.  Though, funnily enough, it wouldn’t have mattered one bit what the plot of this movie was, as the special effects are the only thing attracting crowds.

So why not try something a little different?  Why not take the plot in a totally different direction that would leave the audience baffled and unsure of how to view the humans or the Na’vi.  Why always make humanity both villain and savior?

I guess I probably don’t need to delve too deeply into this movie, as most people have seen it and heard all the complaints.  Paper thin characters, weak acting, and a recycled plot with a message that hits you like a sledgehammer.  Speaking of recycled, has James Horner lost all ability to write new music?  It seems like most of the score of this movie is lifted directly from earlier efforts of his.  I could pick out bits from Aliens, Willow, and Braveheart, but I’m sure there’s more movies from which he’s cannibalized himself.

So anyway, instead of me going on, I thought it might be fun to have people post comments about how they would have changed the story to make it more interesting or original.  Like maybe Jake could have lived with the Na’vi for a while, thinking he’s getting info, but really they’re getting info about humans from him, then they kick him out and use the intelligence they’ve gathered to defeat the humans.  Or maybe Giovanni Ribisi isn’t so miscast…or the Colonel could say a line of dialogue that wasn’t totally cliche.  Ya know, stuff like that.  Because as it is, if you were to take away the special effects, you’re basically looking at a Syfy channel original…

When you have all kinds of airships and bombs and missiles that can do the job, don’t send ground troops into a forest filled with deadly creatures and 10 foot tall beings that want to kill you.

10 – 2 for an unoriginal plot – 1.5 for thin characters – .6 for some weak acting = 5.9

Fantastic Mr. Fox (2009)

Tags

Animated, Bill Murray, Comedy, Eric Anderson, Fantastic Mr. Fox, Fantasy, George Clooney, Jason Schwartzman, Meryl Streep, Movie

what do you mean? I'm not badgering you about th-...oh, I see...you're making a joke...

PG

George Clooney, Meryl Streep, Jason Schwartzman, Bill Murray, Eric Anderson

Mr. Fox: Wake up everybody!  They’re digging us out!
Mrs. Fox: They’ll kill the children!
Mr. Fox: Over my dead body!
Mrs. Fox: That’s what I’m saying!  You’d be dead too in that scenario!

Mr. Fox (Clooney) is an expert chicken stealer.  He promises his wife (Streep) that after their son is born, he’ll leave that dangerous life behind, but a few years later he’s back to his thieving ways.  This brings trouble down on his family and friends.  Can the Fantastic Mr. Fox outsmart the human farmers he’s been stealing from, or will they manage to finally kill him?

Do you like Wes Anderson movies?  Do you enjoy deadpan, dry humor?  Do you like characters that are mean to each other, but in a sort of sweet way?  Characters that are self-centered, but eventually learn to think about others first?  Those are the kinds of things you’ll see in Wes Anderson movies, along with good – usually older – music.  That’s all present in Fantastic Mr. Fox, and it all works well for the most part.

I thought the movie lost a little steam towards the end, but it’s still funny enough throughout for me to like it quite a bit.  The voice work by the leads is good, but not outstanding, though I thought Schwartzman, as Mr. Fox’s son, Ash, may have fared the best.  Poor little Ash is constantly trying to be noticed and impress his father.  When his cousin, Kristofferson (Anderson), comes to live with the Fox family, he immediately impresses Mr. Fox, which angers Ash even more.

It’s really just your typical Wes Anderson type story, featuring a group or family of misfits, who initially don’t get along too well, that must deal with adversity by growing closer.  It just happens to be told in the form of stop motion animation.  It’s not the smoothest animation in the world, but that’s by design I assume.  It gives the movie a strange feel, but that’s okay, it’s a strange story.

To answer my own question up above, I do like Wes Anderson movies.  I like the angry, but willing to change, characters.  I like the soundtracks (great use of Beach Boys music in this one).  I like the humor.

While this one is not yet one of my top 3 favorites of his, I do plan on seeing it again soon.

To kill a chicken, you want to do it quickly, with one swift bite to the neck.

10 – 1.7 for losing some steam in the last third of the movie – .5 because some of the voice work just seemed a little off for some reason = 7.8

Cloudy with a Chance of Meatballs (2009)

Tags

Andy Samberg, Animated, Anna Faris, Bill Hader, Bruce Campbell, Cloudy with a Chance of Meatballs, Comedy, James Caan, Movie, Mr. T, Romance, Science Fiction

oh psychotic monkey, you're so adorable...

PG

Bill Hader, Anna Faris, James Caan, Andy Samberg, Bruce Campbell, Mr. T

Flint: We were famous for sardines…until the day the Baby Brent Sardine Cannery closed down for good…right after everyone in the world realized that sardines…are super gross.

An inventor, Flint (Hader), living in an island community sick of eating sardines all the time, creates a machine that turns water into food.  Unfortunately, his creation is inadvertently launched up into the sky and remains there, converting clouds into various foods.  At first, this is a blessing to the towns people, but as the food starts to mutate, it becomes a burden.

I found this to be a surprisingly entertaining little movie.  The story isn’t groundbreaking, and the characters are pretty standard, but I thought it was funny and interesting throughout.  There are a lot of quick, clever little jokes and references that really made the movie for me.  The animation may not always be stunning, but it’s definitely a movie where you want to scan the background for funny little moments that you may miss otherwise.

It starts a little slow, and the main character, Flint is a little annoying to begin with, but he grew on me after a while.  The vocal work is good across the board, with Anna Faris maybe being the highlight for once.  Oh, and Mr. T is pretty good too.

I should mention the monkey, Steve, as well.  He’s voiced by Neil Patrick Harris, though he doesn’t really say much.  But there’s a running joke about Steve and gummy bears that has a great payoff in the end.

As I mentioned, the main drawback is probably the standard characters.  Flint’s mom was always supportive when he was a kid, but his dad has never thought much of his inventions.  Of course, the mom died and Flint is left to grow up with his non-approving father.  There’s also the mayor who is, surprise surprise, the closest thing to a villain in the movie.  It’s always the greedy mayor that screws things up, eh?

Sam (Faris) is probably the most interesting character.  She’s the wannabe meteorologist who gets sent out to cover a boring non-event because she looks good on camera.  She learned early on in life that she needs to hide her intelligence and just coast on her good looks if she wants to avoid being made fun of, but Flint prefers her brainy side.

Overall, despite it not being a particularly magical or inspiring story, the script and clever visuals make up for whatever is lacking in the story and characters.  For the most part, at least.

And you get to see a monkey rip the heart out of a gummy bear and eat it…what more do you want from a movie?

Turns out, gluttony can actually be a bad thing…

10 – .7 for some weak characters – .9 for it not being a particularly inspiring/interesting story line – .5 for some of the animation looking a little flat at times = 7.9

Mary and Max (2009)

Tags

Animated, Bethany Whitmore, Drama, Mary and Max, Movie, Philip Seymour Hoffman, Toni Collette

mmmm, I could eat stamps all day!

PG-13?

Bethany Whitmore, Philip Seymour Hoffman, Toni Collette

Max: When I was young, I invented an invisible friend called Mr. Ravioli.  My psychiatrist says I don’t need him anymore…so, he just sits in the corner and reads.

A lonely little girl in Australia starts up a pen-pal friendship with a lonely, Asperger’s Syndrome suffering man in New York which lasts for many years.

Don’t let the fact that this is a claymation movie fool you, it’s not exactly for kids.  There’s a lot of dark stuff going on here, including several deaths, alcoholism, and a near suicide.  It makes for much more serious fare than a similarly animated movie like Chicken Run, but it’s so dark at times that some of the sweetness and humor gets overshadowed.

There are funny bits, and the end is very touching, but getting there was sort of a battle for me.  It’s all just SO dismal that I got a little worn down by it.

Still, I have to respect the artistry of it.  Mary (voiced by both Whitmore and Collette) lives in a world that made up mostly of shades of brown, whereas Max (Hoffman) exists in a very gray New York.  When Mary sends Max an object, it always brings that warmer brown shade into Max’s cold existence.  While all these uses of color are interesting, it certainly didn’t help alleviate the dismal tone.

The voice work is good too, especially by Hoffman.  I didn’t recognize his voice, even though I knew it was him talking.

So yeah, animation is good, voice work is good, tone is dismal to the point of exhaustion.  I liked it to an extent, but I can’t imagine I’ll be watching this one again any time soon.

You never know where you might find a friend.

10 – 3 because it’s just so exhaustively dismal – 1 for actually having a fairly standard/predictable story + .1 for the touching ending = 6.1

9 (2009)

Tags

9, Action, Animated, Christopher Plummer, Crispin Glover, Elijah Wood, Jennifer Connelly, John C. Reilly, Martin Landau, Movie, Science Fiction

I’m not supposed to use scissors since…ya know…the incident with my eye…but I’m sure it’ll be okay…

PG-13

Elijah Wood, Jennifer Connelly, Christopher Plummer, Martin Landau, John C. Reilly, Crispin Glover

#5: Actually, I don’t mind having one eye.  It’s easier for me.  It allows me to concentrate on just one thing at a time, ya know?

A rag doll labeled number 9 awakes in a room, unaware of who he is or why he is where he is.  Upon venturing into the outside world, 9 meets others like him while trying to escape from a robotic beast.  They venture to a large warehouse and accidentally restart a dormant machine which starts creating more robots whose only purpose is to destroy whatever life they find.

This was apparently originally a short film which has now been written into a full movie.  It’s pretty apparent too, because there’s not much of a story here beyond the mystery of why these little dolls seem to be alive.  Admittedly, I liked that aspect of it, but the characters, and the actions they go through, weren’t quite compelling enough to really make the movie top notch.

The big robot thing that they accidentally activate was pretty cool, but I thought they were too over-matched by it to realistically defeat it in the end.  It seems like they had to intentionally have that robot not use some of its weaponry in order to even give the dolls a chance to win the battle.  Speaking of losing a battle, I thought the back story about the robot/human war was interesting.

The animation is kind of cool, but it’s also too drab at times.  The dolls aren’t as interesting to look at as the few robots we get to see.  Everything is sort of brown and nondescript.  It’s definitely not going to compete with Coraline for most visually interesting animated movie of the year, that’s for sure.

Overall, it’s a somewhat intriguing movie, with some good scenes and decent enough animation.  I just think it’s too thin a plot to stretch out over an hour and a half.

The same lesson we should have learned from many a movie before:  careful with the robots, people…careful with the robots…

10 – 1 for the overall look being a little too drab and depressing – 2 for too thin of a story – .5 for a strange ending that I didn’t much care for = 6.5

Up (2009)

Tags

Animated, Christopher Plummer, Comedy, Drama, Ed Asner, Jordan Nagai, Movie, Up

that cloud up there looks just like your big, square head.

PG

Ed Asner, Jordan Nagai, Christopher Plummer

Carl: Hey, let’s play a game.  It’s called “see who can be quiet the longest.”
Russell: Cool!  My mom loves that game!

After his wife dies, an old man, Carl (Asner), refuses to let his house be demolished by a construction company.  Instead, he ties a mass of balloons to it and floats away, destined for the South American location that he and his wife always dreamed of visiting.  Unbeknownst to him, a young boy, Russell (Nagai), has hitched a ride on his floating house.

Will it be blasphemy for me to say I didn’t love this movie?  It’s not that I didn’t like it, because I did.  I just didn’t love it.  I was reminded of my experience in watching Where the Wild Things Are.  I went into both movies with high expectations that the movie didn’t quite live up to.  In both cases I didn’t experience the emotional impact that I was expecting.

That’s not to say there aren’t tear-jerking moments here and there.  I will admit, the photo album scene kind of wrecked me.  But overall, I wasn’t so much involved.  In fact, I think I made a little realization.  Animated movies don’t work very well for me when they have people as the central characters.  When it’s animals, or monsters, or a robot, the animation brings human-like qualities to something non-human.  When humans are the main focus, the animation can actually take away some of that humanity, making me feel more detached from their predicament.

Also, that kid annoyed me.

All that being said, it is a lovely movie to look at, and it has a nice message about pursuing your dreams no matter where and when you are at in your life.  Plus, it has some surprisingly adult themes about life, death, and love.

Oh, and there’s a big, funny bird too.

It’s never too late to have a grand adventure.

10 – 1.7 because I just didn’t feel all that emotionally involved in it – .5 for that annoying kid + .1 for that photo album scene = 7.9